Meissner, A. F. | Bronze Plaque for Commercial | Extant | Rego Park | Commercial Building | 1955 | Here A. F. Meissner expanded on his previous Richmond Hill branch, designing a larger, slightly curved facility at a prominent but difficult intersection. Like the earlier branch, the building uses stone veneer, limestone trim, concrete, brick, and other material to denote a new, modern building. The branch is relatively unchanged since its construction including interior wood panelling, glass and metal details, and the original wood frame addition specified by the architect on the plans.
Meissner, A. F. | Bronze Plaque for Commercial | Extant | Richmond Hill | Commercial Building | 1952 | This is the first of four awards that Leo. F. Kearns would win for their facilities. A. F. Meissner was primarily a church architect and the Kearns family new him from local Catholic circles. But here he did something completely different with a Frank Lloyd-esque one story structure using a variety of materials to create a design unlike anything else in Queens or even NYC. The apocryphal story is that one of the Kearns brothers suggested this basic design to him when an earlier three-story Colonial Revival design was too cost prohibitive. Meisser’s design for the second Kearns branch also followed this lead. The Richmond Hill branch won a second award in 1964 for an alteration by Raymond Irrera to add an elevator enclosure. The addition is almost completely indistinguishable from the original structure. Today the Kearns family still own the building and use it for their popular funeral business.
Engelhardt, T. H. | Bronze Plaque for Commercial | Significantly Altered | Forest Hills | Commercial Building | 1949 | The basic shape of this curved corner commercial site is still visible although otherwise largely altered. The original design attempted to be classic yet contemporary by being both low-scale with numerous windows and use of elegant materials such as limestone, white marble, stainless steel, and granite. There were also originally numerous neon signs advertising the commercial establishments located here, although not referenced in the award program. Today the building is a bank and over the entrance in the recessed curve is a large mural of the sites of Forest Hills, a fitting addition to a commercial building built and owned by the company that developed much of the surrounding neighborhood.
Engelhardt, T. H. | Bronze Plaque for Commercial | Significantly Altered | Forest Hills | Commercial Building | 1948 | The basic shape of this curved corner commercial site is still visible although otherwise largely altered. The original design attempted to be classic yet contemporary by being both low-scale with numerous windows and use of elegant materials such as limestone, white marble, stainless steel, and granite. There were also originally numerous neon signs advertising the commercial establishments located here, although not referenced in the award program. Today the building is a bank and over the entrance in the recessed curve is a large mural of the sites of Forest Hills, a fitting addition to a commercial building built and owned by the company that developed much of the surrounding neighborhood.
Salminen, Carl H. | Bronze Plaque for Commercial | Demolished | Queens Village | Commercial Building | 1951 | A large auto showroom and repair garage, Village Chevrolet has since been replaced by a contemporary school building. the original structure was a typical auto facility of steel and brick construction with large window expanses along the street and a circular showroom. While primarily horizontal, there was a vertical chimney with the Chevrolet name on it to attract passerby. The company’s name was also present in large neon lettering across the parapet. This facility seems to have been one of a number in the area, with a vintage Ford sign still visible across the street and a motorcycle repair shop immediately next door.
